Before the jolt of recognition, I am alone.
Tuesday, November 25
facial recognition software {malfunction}
Friday, November 7
Absence
Jeffrey McDaniel
On the scales of desire, your absence weighs more
than someone else’s presence, so I say no thanks
to the woman who throws her girdle at my feet,
as I drop a postcard in the mailbox and watch it
throb like a blue heart in the dark. Your eyes
are so green – one of your parents must be
part traffic light. We’re both self-centered,
but the world revolves around us at the same speed.
Last night I tossed and turned inside a thundercloud.
This morning my sheets were covered in pollen.
I remember the long division of Saturday’s
pomegranate, a thousand nebulae in your hair,
as soldiers marched by, dragging big army bags
filled with water balloons, and we passed a lit match,
back and forth, between our lips, under an oak tree
I had absolutely nothing to do with.
On the scales of desire, your absence weighs more
than someone else’s presence, so I say no thanks
to the woman who throws her girdle at my feet,
as I drop a postcard in the mailbox and watch it
throb like a blue heart in the dark. Your eyes
are so green – one of your parents must be
part traffic light. We’re both self-centered,
but the world revolves around us at the same speed.
Last night I tossed and turned inside a thundercloud.
This morning my sheets were covered in pollen.
I remember the long division of Saturday’s
pomegranate, a thousand nebulae in your hair,
as soldiers marched by, dragging big army bags
filled with water balloons, and we passed a lit match,
back and forth, between our lips, under an oak tree
I had absolutely nothing to do with.
Fifty-Fifty
Patricia Clark
You can have the grackle whistling blackly
from the feeder as it tosses seed,
if I can have the red-tailed hawk perched
imperious as an eagle on the high branch.
You can have the brown shed, the field mice
hiding under the mower, the wasp’s nest on the door,
if I can have the house of the dead oak,
its hollowed center and feather-lined cave.
You can have the deck at midnight, the possum
vacuuming the yard in its white prowl,
if I can have the yard of wild dreaming, pesky
raccoons, and the roaming, occasional bear.
You can have the whole house, window to window,
roof to soffits to hardwood floors,
if I can have the screened porch at dawn,
the Milky Way, any comets in our yard.
You can have the grackle whistling blackly
from the feeder as it tosses seed,
if I can have the red-tailed hawk perched
imperious as an eagle on the high branch.
You can have the brown shed, the field mice
hiding under the mower, the wasp’s nest on the door,
if I can have the house of the dead oak,
its hollowed center and feather-lined cave.
You can have the deck at midnight, the possum
vacuuming the yard in its white prowl,
if I can have the yard of wild dreaming, pesky
raccoons, and the roaming, occasional bear.
You can have the whole house, window to window,
roof to soffits to hardwood floors,
if I can have the screened porch at dawn,
the Milky Way, any comets in our yard.
The Problem of Hands
Louise Mathias
And how to fill them
is the problem of cigarettes and paint.
First time I felt my undoing
was in front of
a painting--Sam Francis, I believe.
Oh, his bloomed out, Xanax-ed California.
I liked the word guard, but you know
we made each other
nervous, standing too close
for everyone concerned. All art being
a form of violence
as a peony
is violence.
Here you come
with your open hands.
And how to fill them
is the problem of cigarettes and paint.
First time I felt my undoing
was in front of
a painting--Sam Francis, I believe.
Oh, his bloomed out, Xanax-ed California.
I liked the word guard, but you know
we made each other
nervous, standing too close
for everyone concerned. All art being
a form of violence
as a peony
is violence.
Here you come
with your open hands.
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